Chiyan discovered Tango in late 2013 and began DJing in 2014. Growing up within the tango community of central and southern Taiwan, he first stepped into the role to support the needs of the community, which gradually became a long-term focus. With more than a decade of experience between dancing and DJing, he reads the breathing and energy of the milonga and arranges tandas in real time. His music selection emphasizes continuity of rhythm and emotion, shaping a natural flow throughout the night. For him, a DJ does not control the dance floor, but listens—when music, dancers, and space respond to one another, a milonga begins to have a life of its own.
萁硯自2013年底接觸阿根廷探戈，2014年開始擔任DJ，成長於台灣中南部探戈社群。他最初因社群需要而投入DJ，逐漸發展為長期專注的角色。在舞池與音樂之間累積十餘年經驗的他，習慣閱讀舞池的呼吸與能量，依現場即時編排tanda，讓音樂自然展開。他選曲重視節奏與情緒的連續性，也關注整晚的流動與轉場。對他而言，DJ不是控制舞池，而是傾聽——當音樂、舞者與空間彼此回應，一場舞會便有了自己的生命。
